![I Write Sins Not Tragedies [Live From Astoria] by Panic! at the Disco (1)](https://i0.wp.com/sonichits.com/artist_image/UGFuaWMhIGF0IHRoZSBEaXNjbw==/YjUwN2E0MzZiZmYyNmNjZGNjODBkMWMwMDFlMmM3OGQ=/extralarge "I Write Sins Not Tragedies [Live From Astoria] by Panic! at the Disco (1)")
I Write Sins Not Tragedies [Live From Astoria]
Panic! at the Disco
AlternativeRockEmoPunkPop punk
Panic! at the Disco was an American pop rock band from Las Vegas, Nevada, f… Read Full Bio ↴Panic! at the Disco was an American pop rock band from Las Vegas, Nevada, formed in 2004 by childhood friends Ryan Ross, Spencer Smith, Brent Wilson, and Brendon Urie. Following several lineup changes, Panic! began operating as the solo project of frontman Urie from 2015 until the project's discontinuation in 2023. Panic! at the Disco recorded their first demos while they were in high school. Shortly after, the band recorded and released their debut studio album, A Fever You Can't Sweat Out (2005). Popularized by the second single, "I Write Sins Not Tragedies", the album was certified triple platinum in the US. In 2006, founding bassist Brent Wilson was fired from the band during an extensive world tour and subsequently replaced by Jon Walker. The band's second album, Pretty. Odd. (2008), was preceded by the single "Nine in the Afternoon". That album marked a significant departure from the sound of the band's debut. In 2009, Ross and Walker formed a new band, the Young Veins, leaving Urie and Smith as the sole remaining members of Panic! at the Disco. Continuing as a duo, Urie and Smith released a new single, "New Perspective", for the movie Jennifer's Body, and recruited bassist Dallon Weekes and guitarist Ian Crawford as touring musicians for live performances. Weekes was later inducted into the band's lineup as a full-time member in 2010. The band's third studio album, Vices & Virtues (2011), was recorded solely by Urie and Smith in 2010, produced by John Feldmann and Butch Walker. Crawford departed once the tour cycle for Vices & Virtues ended in 2012. As a three-piece, Urie, Smith, and Weekes recorded and released the band's fourth studio album, Too Weird to Live, Too Rare to Die!, in 2013. Prior to the release of the album, Smith unofficially left the band due to health and drug-related issues, leaving Urie and Weekes as the remaining members. The duo recruited guitarist Kenneth Harris and drummer Dan Pawlovich as touring musicians for live performances. In 2015, Smith officially left the band after not performing live with them since his departure in 2013. Shortly thereafter, Weekes reverted to being a touring member once again, resulting in Panic! becoming Urie's solo project. In April 2015, "Hallelujah" was released as the first single from Panic! at the Disco's fifth studio album, Death of a Bachelor (2016). In December 2017, Weekes officially announced his departure from the band. In March 2018, Panic! at the Disco released "Say Amen (Saturday Night)", the lead single from its sixth studio album, Pray for the Wicked (2018), which was released in June. Panic! at the Disco's seventh studio album, Viva Las Vengeance, was released on August 19, 2022. On January 24, 2023, Urie officially announced that Panic! at the Disco would be disbanding following the conclusion of the Viva Las Vengeance Tour.
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01I Write Sins Not Tragedies [Live From Astoria]
Panic! at the Disco
02I Write Sins Not Tragedies
03Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off
04The Only Difference Between Martyrdom and Suicide Is Press Coverage
05But It's Better If You Do
06High Hopes
07Build God, Then We'll Talk
08The Ballad of Mona Lisa
09Camisado
10Nine in the Afternoon
11Time to Dance
12House of Memories
13London Beckoned Songs About Money Written by Machines
14I Constantly Thank God for Esteban
15Nails for Breakfast, Tacks for Snacks
16There's a Good Reason These Tables Are Numbered Honey, You Just Haven't Thought of It Yet
17Death of a Bachelor
18This Is Gospel
19Emperor's New Clothes
20Introduction
21Don't Threaten Me with a Good Time
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Jump to: Overall Meaning ↴Line by Line Meaning ↴
Oh, well imagine
As I'm pacing the pews in a church corridor
And I can't help but to hear
No, I can't help but to hear an exchanging of words
"What a beautiful wedding
What a beautiful wedding", says a bridesmaid to a waiter
"And, yes, but what a shame
What a shame the poor groom's bride is a whor*"
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of
Well, in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne
Oh, well in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne, pour the champagne
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
The lyrics to Panic! at the Disco's song "I Write Sins Not Tragedies" paint a vivid picture of a chaotic wedding scene. The singer is pacing in the church corridor and overhears a conversation between a bridesmaid and a waiter. The bridesmaid comments on the beauty of the wedding, but then laments that the groom's bride is a "whor*". The singer, feeling frustrated with the lack of privacy and decorum, interjects with "Haven't you people ever heard of closing the goddamn door?"
The chorus of the song repeats this line, emphasizing the importance of boundaries and respect for personal space in the face of scandal and gossip. The singer sees the situation with a sense of poise and rationality, even finding a silver lining in the fact that the marriage is technically saved. The song ends with the singer repeating the chorus, driving home the message that closing the door to unwanted drama and criticism is always the better option.
Overall, the lyrics to "I Write Sins Not Tragedies" speak to the importance of maintaining boundaries and privacy, even in the face of difficult situations. The singer's frustration with the lack of respect for personal space at the wedding highlights the need for discretion and tact in social situations.
Oh, well imagine
The singer describes a situation he imagines in his mind.
As I'm pacing the pews in a church corridor
The singer is walking nervously in a church hallway.
And I can't help but to hear
The singer is unable to avoid listening to a conversation.
No, I can't help but to hear an exchanging of words
The singer is hearing people talking to each other.
"What a beautiful weddingWhat a beautiful wedding", says a bridesmaid to a waiter
A bridesmaid comments to a waiter that the wedding is beautiful.
"And, yes, but what a shameWhat a shame the poor groom's bride is a whor*"
The person responds, saying that it's unfortunate that the groom's bride is promiscuous.
I chime in with a"Haven't you people ever heard of closing the goddamn door?"
The singer interrupts the conversation, asking why they didn't close the door.
No, it's much better to face these kinds of thingsWith a sense of poise and rationality
The singer suggests handling difficult situations in a calm and logical manner.
Well, in factWell, I'll look at it this wayI mean, technically, our marriage is savedWell, this calls for a toastSo pour the champagne
The singer suggests that despite the negative comment made about the bride, their own marriage is still intact and they want to celebrate with champagne.
Oh, well in factWell, I'll look at it this wayI mean, technically, our marriage is savedWell, this calls for a toastSo pour the champagne, pour the champagne
The singer reinforces the idea that they should celebrate with more champagne.
Again
The singer repeats himself, emphasizing his point.
I chime in"Haven't you people ever heard of closing the goddamn door?"No, it's much better to face these kinds of thingsWith a sense of poise and rationality
The singer repeats his advice to handle situations calmly and questions why people didn't close the door earlier.
I chime in"Haven't you people ever heard of closing the goddamn door?"No, it's much better to face these kinds of thingsWith a sense of poise and rationality
The singer repeats himself once again, emphasizing the importance of staying calm and handling difficult situations logically.
Again
The singer reinforces his message yet again.
Lyrics © Sony/ATV Music Publishing LLC Lyrics Licensed & Provided by LyricFind
Written by: George Ross, Brendon Urie, Spencer Smith
To comment on or correct specific content, highlight it
Most interesting comments from YouTube:
@sophiebbb9564
Imagine if BRENDON Urie had a sonBrandon enters his sons room
BRENDON:"Hey son, I wanted to wish you goodnight"
Son:"Yeah, goodnight dad"
BRENDON:"Night son"
*BRENDON leaves door half close,
Son:"Uh... Dad-
BRENDON:"DON'T YOU DARE"
@minseok3860
Lyrics
Oh, well imagine
As I'm pacing the pews in a church corridor
And I can't help but to hear
No, I can't help but to hear an exchanging of words
"What a beautiful wedding
What a beautiful wedding", says a bridesmaid to a waiter
"And, yes, but what a shame
What a shame the poor groom's bride is a whor*"
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of
Well, in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne
Oh, well in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne, pour the champagne
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
All comments from YouTube:
@shiharumatsu-kun1009
2006: Brendon Wonka
2019: Brendon Poppins
@blakeleybrown8325
Captain Nerd this comment deserves more likes!! 😂😂
@user-jk7du9kb2s
This deserves so much more likes im dying lmao😂😂😂
@tessticles154
@@user-jk7du9kb2s hoi yo you too
@alexchao2602
Captain Nerd Yondu: "I'M BRENDON POPPINS Y'ALL"
@maxtafoya6309
This should have a. Heart
64 More Replies...
@Josh-ve4rr
“You’re not a clown, you’re the whole wedding party!”
@jessicadlabura1079
what underrated comment lmao
@bruhbruh4890
your not a circus, your all of disney universe
@senpai__sama4260
if love was just a circus you'd be a clown by now
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